In which I am writerly for the 2nd week in a row

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Well, you can wait for months for a writing-related blog post around here, and then two come along at once. So after getting all researchy for my novel in progress last week (thanks to everyone who offered their own memories of being a 1960s teenager in the comments), today I’m thinking about writing shorter stuff.

I used, way back in the mists of time when I was fresh-faced young creative writing student, to write quite a lot of shorter pieces. I dabbled with both poetry and short stories, with fairly limited success. When I decided, back in 2009, that I wanted to Do Novels, I pretty much stopped writing short things. More recently I’ve started again, mainly with short stories – I am so definitely not a poet –  and I’m trying to work out the best approach.

There are gazillions of places that writers can submit or showcase short stories and poetry. There are big competitions, little competitions, print magazines (although sections of that market are shrinking rapidly), e-zines, writing blogs and spoken word events. So what’s the best line of attack? Should one just write stuff that you think is good and interesting and then look for a outlet for the piece? Or is it best to target specific competitions or publications?

One story that I did have success with, winning a lovely shiny little cup, was written specifically for that competition, but that was a competition with a specified theme. Others are more open, so perhaps have less requirement for the writer to write something specifically for that competition.

Another big potential outlet for short pieces of writing is Spoken Word events. These seem to have got more and more popular over the last couple of years, to the point where I, at least, can barely leave the house without someone shouting their poetic offering at me. I find spoken word events tricky though. For me, there’s a big difference between a piece of writing that works well for an individual reading it off the page, and a piece that works as a verbal performance.

Attending Spoken Word evenings I’ve sat through plenty of pieces that might have been just fine to read quietly to oneself, but which all but died on their author’s poor tired feet in performance. So, for me, Spoken Word events are something that, if I choose to do them, I have to write something particular for.

So, how best to target one’s writing resources? Is it better to keep one’s eyes on a single goal – for me that would be novel writing – and exclusively focus on that? Or is it better to pick out and target specific short story competitions to build experience and profile (and if you’re lucky get some prize money)? Or should writing be a purely creative endeavour where we write what we love and look for somewhere to submit/publish it later? What do you think world?

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One thought on “In which I am writerly for the 2nd week in a row

    hollyannegetspoetic said:
    February 20, 2013 at 11:58 am

    Interestingly enough, I came across a spoken word event recently in Birmingham calling itself a “storytelling” event – where writers do not so much read, as TELL their story… Which strikes me as more engaging than a person reading straight prose off a page.
    I find prose hard to listen to as I like the page in front of me – perhaps for the same reason as I don’t enjoy audiobooks. But different strokes and all that…
    As to focussing – who knows! We all have to take our own paths but it can be a nice palate cleansing exercise to dabble in a different form occasionally. As you know, I’m a poet, but I’m a little intrigued by flash fiction (not just cos it’s short!). And if a competition inspires then I’m all for it.

    Like

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