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In which I muse on what I learnt at the RNA Conference 2014

There was no post on Friday last week because I was off on my annual trip out into the world of ‘Real People who do talking and that’ at the Romantic Novelists’ Association Conference. As ever, conference was rather marvelous and I learnt many things. As is becoming traditional, I shall relay just some of those things to you by way of a numbered list.

1. Juxtaposing one’s thingy is important in more ways than you might think.

Now I’m presuming that you probably didn’t think juxtaposing your thingy was important at all, but that was the ‘take home’ message from Jane Lovering and Rhoda Baxter‘s talk on writing comedy. Juxtaposition is important in the serious business of being funny. A person giving a lecture isn’t a funny idea. A person wearing a penguin onesie is only a slightly funny idea. A person giving a lecture wearing a penguin onesie has comic potential. That’s juxtaposition that is.

Juxtaposition also came up in Clare Mackintosh‘s talk on creating a writing persona. Clare talked about writing things like the About Me section of an author website, and bios for inside books and on guest blog posts and the like. She also talked more generally about writing copy to promote yourself, and the need to provide an interesting hook for reporters to grab hold of. ‘Writer writes book’ isn’t news. ‘Retired burlesque dancer writes book’ might be. Juxtaposition again. It’s all over the shop, I tell you.

 

2. Sometimes it’s important to sit down and have a little plan

The one and only downside of the RNA Conference is that I come home every year with new ideas and new possibilities for what to work on next and what to do to try to move my writing career forward. This year emphasised how tough things are in the publishing industry at the moment. There are lots of opportunities, and smaller publishers, like Choc Lit, are really well placed to respond quickly to the way the market is changing, but, at the moment, incomes for writers are in decline. It’s not enough to write one really good book per year – if you want to make the bulk of your living from writing you need a plan and possibly a spreadsheet.

That means that right now I’m in a quandary where I have at least 4 different ideas for what my next book could be, and a couple of other interesting possibilities that came up in conversations with other writers during the conference. I need to take a minute to think What’s the best option? What moves me forward to a wider readership? Alongside the basic question of What am I really passionate about writing?

 

3. I have a gift for breaking dresses at crucial moments

At my first RNA Conference in 2011, I snapped the strap on my party dress while I was sitting in the bar before the big Gala Dinner. That meant I got to bond very quickly with the delightful Talli Roland who I hadn’t really met before, while she ran running repairs on my straps while I held my frock up to cover my boobs until she’d finished.

This year I pulled the crucial button off my wrap dress while I was getting ready and, despite best attempts to fix it with safety pins, ended up wearing jeans to the Gala night, which wasn’t very partyish, but did mean I got away with flat shoes that I could walk in, which was rather lovely.

Flat shoes!

 

4. Location, Location, Location isn’t just a TV show

My favourite session of the weekend was Janet Gover‘s talk on Location. I tend to think of a novel as a triumverate of three things – Character, Plot and Setting, andthe weakest of the three in my novelisting armoury is definitely Setting. My editor does, on occasion, have to ask things like ‘Where does this scene happen?’ Oops. So this talk was a must-see for me. And it was well worth dragging myself out of bed for the 9am start on Sunday morning. I came away with lots of ideas about how to strengthen the setting in my current novella-in-progress, particularly in terms of how the place that characters grow up and live might impact on the sort of people that they are.

 

5. And finally, it’s always worth balling up your confidence and talking to agenty, editory type people

The RNA Conference always offers the opportunity to do one-to-ones with agents and editors to get your writing in front of people who might be able to shepherd it out into the world. I don’t normally bother, because I’m awful at the whole elevator pitch thing. It’s really only in the last year that I’ve got my head around even being able to talk coherently about what I write, so talking about it to agents and editors is a bit scary.

This year I found myself in the position of having a project on the back burner that I’d been ignoring because I know it’s not suitable for my publisher, Choc Lit, who are a romance specialist. This is a more literary project with elements of family drama and crime, but when I looked at the conference schedule I saw that Lisa Eveleigh from Richford Becklow was offering one-to-ones, so I took a deep breathe and sent off my synopsis, and then took myself along to meet with her. And very lovely she was too. She offered a couple of really useful plot suggestions, seemed to have really understood what I was trying to do with the story, and said she’d be happy to take a look at the full manuscript once I’m at that stage. Which takes us all the way back to number 2 – time to sit down, take a minute and make a little plan of what to do next…

 

My current novel, Sweet Nothing, and novella, Holly’s Christmas Kiss,  are available now for kindle.

In which a year has passed and I muse on how it takes a village and all that guff

So this time next week I shall be in Telford getting ready for my fourth RNA Conference. That realisation made me also realise that it is now 1 whole year since I signed my first ever publishing contract with Choc Lit to publish Sweet Nothing, followed later in the year with a second contact for Holly’s Christmas Kiss.

Sweet Nothing

Holly's Christmas Kiss

One year on from such great excitement seems like as good a time as any to get a bit melancholy, raise a glass of something suspiciously green-looking, and have a bit of a think about the process of getting from ‘Hey guys, I’m going to write a novel!’ to actually having a novel out there in the world, where unsuspecting strangers, some of whom aren’t even friends of your mum, might read it.

And the conclusion of that little think would be this: it takes a village to make a novel. Not an actual village. It’s not compulsory for budding novelists to move to Little Middlewitch and start helping out with the church flowers. I’m talking about one of those metaphorical villages that exist only for the purposes of slightly laboured and clichéd metaphor. The Sweet Nothing Metaphorical Village takes in many helpful souls. There are the tutors and workshop leaders whose ideas I’ve cribbed and developed. There are the critique readers. There are the supportive wine-supplying friends who tolerate the fact that most of my gossip is about made up people. There’s the actual publisher who decided to invest their time and money in my work, and then there’s the editor, copy-editor, proofreader, cover designer and blurb writer. And then once the book is out there’s the audiobook people, and the pr dudes, and the book reviewers and bloggers who’ve featured me or my books on their site.

So it’s one whole year since I signed the contract with Choc Lit to publish Sweet Nothing. It’s six years since I first decided I wanted to write a romantic comedy, and decided that I wanted to base it on what I consider to be the ultimate rom-com from stage, book or screen. And the end result is a story that owes everything to my random set of pre-occupations: love and how it’s not the same as romance, how clever people can do stupid things, how knowing stuff is brilliant, tequila is dangerous, and M&S party food is the highest form of food. All of that stuff is part of me, but none of it would be out there in a vaguely readable form without the rest of the Sweet Nothing Metaphorical Village.

So please all raise your glasses. Wait. I didn’t mention that you needed glasses, did I? Ok. Those of you who are already glass-ready, give everyone else a second to pour themselves a tiny drinkette. Right, so please raise your glasses and let’s make a toast, to everyone in the Sweet Nothing Metaphorical Village. Cheers, and thank-you all.

In which it is June and a number of occurrences occur

So the blogging every Friday without fail is going terribly well, don’t you agree? Apart from that today is Monday, but I think we can all agree that Monday is very nearly Friday give or take the odd weekend.

Anyhoo, this particularly Monday is also the 30th June, so I thought I would tell you about a number of things that have occurred this month. Hardcore readers, who’ve been with us since the beginning of blogtime, will recall that I do like a bit of a summer festival, not those loud, modern-musicky festivals that involve camping and reading preparatory Guardian articles about festival fashion, but rather those more safely middle-aged festivals where it’s considered acceptable to stop between events and have a nice warming hot chocolate and possibly a scone. This month I have attended two festivals of the latter sort, and one actual gig in an actual field to which I wore actual wellingtons. I shall relay my thoughts on all three forthwith.

1. Cheltenham Science Festival

The good people of Cheltenham are pretty much prepared to have a festival for anything. Jazz, literature, music, horse racing – they really don’t care – if you can put up a marquee and print a brochure, they’re totally up for it. The first week in June is the annual science festival, at which I took in talks and panels on the genetics of intelligence, animal communication, war and medicine, the maths of The Simpsons, animal senses, quantum mechanics, and saw somebody whacking ping pong balls with a chocolate hammer, all of which was quite interesting. It’s also very jolly to be at events about things I know nothing about, because new knowledge is always exciting. Did you know, for example, that there’s a sort of snake that has infra-red sensor things that mean it can spot a bat flying over head in pitch darkness and grab the aforementioned bat out of the air for its dinner? I did not know that, but now I do. Hurrah for knowing more stuff.

 

2. Worcestershire LitFest & Fringe

Worcestershire LitFest is in its 4th year, but this was my first time involved with the organisation. I hosted four events – a rather lovely author panel with equally lovely cake, and three novel writing workshops.

Me, Sue Moorcroft, Liz Harris and Christina Courtenay
Me, Sue Moorcroft, Liz Harris and Christina Courtenay

Teaching writing workshops is always fun – it’s pretty much one of my favourite things to do, and I’ve not taught for a while so it was top fun to get back into it with a brand new group of students. Hopefully they enjoyed themselves at least half as much as I did, and weren’t too freaked out by the woman at the front of the room wittering on about Prince Charming and necrophilia. (Yes – they were part of the same conversation, but they were totally related to the point of the lesson. Totally. Sort of. A bit.)

Asides from leading those events I also got to attend a couple of others. My personal highlight was seeing Lou Morgan at 42-Worcester talk about her writing and particularly about writing YA. She was interesting and funny. Yay her!

 

3. Deacon Blue in a forest to which I wore actual wellingtons, but also took a garden chair to sit on like an old person might.

Now the young whipper snappers amongst you are now furrowing your perfectly wrinkle-free brows and asking ‘Who are Deacon Blue?’ Well they were big in the late 80s and early 90s and, I can now attest, are rather marvellous live. Your lack of knowledge probably means that you’re not even aware that if you ever have sufficient money in your kitty to buy a dinghy the only right and proper thing to call her would be Dig-ni-ty (which you would sing loudly and with gusto.) Trust me young people, your lives are poorer for this lack of knowledge.

 

So that was June. I trust you all had an equally pleasant month.

 

And before I go, a quick reminder that Sweet Nothing is currently 99p for kindle. That offer either finishes today or next Monday (I’m not 100% clear on how Amazon monthly deals work!) so if you want it, go get it now. Off you go….  For those of you who are still here, if you think you’d be interested in writing workshops where the tutor witters on about Prince Charming and necrophilia in between dispensing great wisdom then please get in touch and I’ll add you to my mailing list.

In which I try to work out what British values might be

So it’s been decided that we ought to be teaching British values in our schools. Michael Gove and David Cameron are absolutely agreed that this is a whizz bang idea, and will no doubt be cracking on with that forthwith. Worryingly, I don’t violently disagree with the values that Gove and Cameron are spouting so far. They generally involve vague notions like equality and democracy and tolerance, all of which seem peachy fine.

However, there is, I think, a problem here, and it comes down to the fact that the whole notion of teaching British values sounds a bit, well just a bit earnest. There’s no obvious self-depreciating humour or social awkwardness about it. The notion that we have values that are worth teaching feels a bit self-important. My gut reaction is that any attempt to teach British values should include a section where the teacher looks a bit embarrassed and mutters, ‘Or not. You know, it’s up to you really,’ and then stares at the floor.

And secondly, let’s take a minute to consider what it was that caused Gove and Cameron to decide that equality and tolerance and democracy are of sufficient import to be proactively promoted in schools. Was it a response to the fact that the pay gap between men and women is still around 15% (and much much higher in some professions)? That would make sense – maybe Gove and Cameron recognise the importance to teaching business leaders of tomorrow to value their staff equally. Was is a response to news that police forces in the UK received nearly 8000 complaints of racism over the last 8 years and upheld less than 1%? Maybe Gove and Cameron think the only way to tackle ingrained racism is from the cradle with the next generation. Or was it in response to the fact that in 2012-13 over 42,000 hate crimes (crimes linked to race, religion, sexual orientation, disability or gender reassignment) were recorded in the UK? Maybe they believe that that sort of prejudice and ignorance fueled violence needs to be tackled from school onwards by promoting tolerance and equality.

But no. None of those things were are the forefront of politicians’ minds when they came out with their ‘British values’ soundbites. They were reacting to the Birmingham schools ‘trojan horse’ affair, where it is alleged that muslim governors attempted to ‘infiltrate’ extreme values and teaching into schools. That might make a person question the sort of tolerance and equality that were discussing here. It looks at though Gove and Cameron think it’s important that people who look or think differently from them learn to value tolerance and moderate their own views accordingly. The sorts of intolerance and inequality that are long-term and chronic and form part of our status quo are fine to carry on as they were. Or maybe I’m being to cynical. Maybe promoting equality and tolerance is a good thing, regardless of the impetus.

Well, this was intended to be a jokey sort of post where I commented on the British penchant for humour and self-depreciation. With hindsight, it seems to have got away from me a tiny bit.

Anyway, no doubt good spirits will be restored by next week, and if you can’t wait until then I’ll be doing my writerly thing in Worcester tomorrow (21st June 2014) along with Sue Moorcroft, Christina Courtenay and Liz Harris when I host the Worcestershire LitFest and Fringe’s Author Panel. Tickets and downloadable festival programmes here.

In which there is a World Cup and a great and wondrous literary festival

So it’s that time in the four-year cycle of four yearness where my newsfeeds and social life are suddenly dominated by one thing and one thing only – the tiresome, repetitive, inescapable, all-encompassing deluge of people going on and on and on about how uninterested they are in the football, specifically, the World Cup.

Now we’re an inclusive, tolerant sort of corner of the internet. We welcome all-comers, and hold a deep and abiding respect for each and every one of your rights to hold and express whatever opinions you like. However, there are some occasions on which those opinions are simply wrong. I’m aware, for example, that there are some of you out there who don’t like marmitey toast, or who think that Nigel Farage seems like a damn good bloke. Now I wouldn’t be expected to smile benignly while those travesties of opinions were expressed, and this is no different. I understand that some of you don’t like football, but you are, I’m afraid, based on the available evidence, simply and categorically wrong. And by ‘based on the available evidence, simply and categorically wrong,’ I mean that I reckon something different.

That’s not to say that there’s nothing wrong with the state of world football and there isn’t lots that will irritate me over the next few weeks of World Cup jollity. In fact there’s lots of bad in amongst the good. I shall innumerate some of that bad forthwith…

1. Fifa

Corrupt, out of touch, apparently incapable of dealing with racism in a way related even slightly to the 21st Century. Pah.

 

2. The advertising industry’s World Cup obsession with all things football

Yep – every advert on TV for the next month will feature the beautiful game in some way or another. Some of these adverts will be for sportswear companies – that’s just about ok. Most of them, however, won’t. They’ll be for cars, or supermarkets, or shampoo, or any one of the hundreds of other businesses that have sod all to do with football, and they will be tiresome in the extreme, and they will never convince me that a flake free scalp has significant impact on goalkeeping performance. Ugh.

 

3. Yes – I’m a girl. Yes – I’m a girl who writes romantic comedies for a living. Yes – I understand the off side rule.

It’s 2014. This really really isn’t news, but at some point over the next month I’m pretty damn sure it will be commented on. Likewise, there are plenty of blokes who couldn’t give a stuff about the World Cup. They’re misguided (as previously explained) but also not noteworthy. Interest in football is not governed by one’s possession of a y-chromosome. That clear? Good.

It’s also not mutually exclusive with having other interests, even interests that some people might (wrongly) describe as a ‘tad girly’. In addition to football, I also quite like books and theatre and cooking programmes and spending too much money on ebay and drinking wine in the garden, and I imagine I’ll manage to squeeze most of those activities into my summer as well. Which brings me onto…

 

4. The pressure to be a ‘proper’ fan

I’ll be honest- I’m not sure I have the ‘proper’ fandom gene. I’m a casual football fan. I’ll watch the World Cup. Outside of that I probably watch most England matches, a smattering of Champions League and a random sample of Match of the Day. I don’t go and stand on the terraces every weekend. Some ‘proper’ fans will be irrationally offended by that, in the same way that I have friends who will be upset by the fact that I ‘quite like’ Buffy, or generally only own those CDs that everybody owns – the ones put out after bands were famous. It’s good to be a casual fan. It frees up brain-space for more activities, and saves you from ever having to convert your loft into bespoke storage for your Doctor Who figures.

 

So there are just some of the things that will aggravate me during the World Cup, but actually none of them are anything to do with football. They’re all just part of the kerfuffle surrounding the football.

Football is sometimes referred to as the beautiful game, and it is absolutely beautiful in its simplicity. Football is the game that groups of eleven year olds would invent, given a patch of ground and a round thing. It can be played badly by pretty much anyone, and played brilliantly it can be exhilarating to watch. It can be nail-biting, infuriating, gut-clenching, ecstasy-inducing and pretty much all emotions in between. Football is brilliant. It’s made me hide my face behind a cushion while watching TV more effectively than any dalek. It’s made me yelp for joy in the street when being forced to listen to an England match on the radio on account of ‘having to go to work.’ It’s made me cry in public (Euro ’96 – Gareth Southgate, oh Gareth Southgate).

So, football, yeah. I quite like it.

 

I do also, however, like other things, and with that in mind, please allow me one brief moment of shameless promotion. Next week, on Saturday 21st June I’m hosting a rather lovely literary event as part of the Worcestershire LitFest & Fringe. I’m going to be hosting an afternoon with top writers Christina Courtenay, Sue Moorcroft and Liz Harris who will be talking about books and writing and anything else I, or the audience, choose to ask them about. This may or may not include the World Cup. So anybody who loves books and is around in Worcester on 21st June, please come along. It should be lots of fun, and there will definitely be cake. You can download the full LitFest programme (which also includes 3 novel-writing workshops with yours truly) and book tickets here.

 

In which I get a bit reflective and contemplate the passage of time

Today is 6th June 2014, the 70th anniversary of the D-Day landings on the beaches of Normandy. 2014 also marks 100 years since the outbreak of the First World War.

Today is also 2 months, to the day, before my 37th birthday. Weirdly that fact seems to have had rather less media coverage, but it means that I’m part of a generation who are the children of the baby boomers, and the grandkids of  people who fought in World War 2, many of whom had memories of the 1914-18 war. My grandmother remembered sheltering, with her mother, behind gravestones during the bombardment of Scarborough from the sea in December, 1914. I believe my grandfather was in the RAF and flew over Italy during World War 2. At my other grandparents’ home a picture of my grandfather in service uniform sat above the television throughout his life. I don’t recall any of them talking in detail about their wartime experiences, in common with many of their generation, and, in common with many of mine, I don’t recall ever asking, but they were a tangible link to a point in the past that wasn’t yet history.

That link is fading. The generation who fought in both wars has gone, and those who were children in the first, and young men and women in the second, are fewer and fewer in number at every service of remembrance.  And that is the way of things. Time passes. New generations are born and grow, and each is one step further removed from the experience of any specific point in the past. Instinctively, I feel that we ought to be doing everything we can to ensure that the feeling a first hand connection with the twentieth century’s wars is maintain, but, at the same time, part of me knows that to be impossible.

Experience fades to memory which, in turn, fades to history. I feel, in my gut, that World War 2 must be remembered. It has an emotional immediacy for me that the Napoleonic Wars or the English Civil War don’t possess. They are simply history. Things that happened in the 1940s feel real, but inevitably, for the generations still to come those stories will fade and lose their sting, in just the same way as earlier conflicts have for the rest of us.

We can’t hold onto the past. We can’t force it to feel real beyond its own moment in time, and as memory shifts to history there is a danger that we forget not only the experience, but also the lessons that generations before us learnt through the sacrifice of their youth. So today we remember those who lived through horror to try to make their own, and our, futures safer and brighter, and offer our respects to those who never made it back.

When you go home, tell them of us and say,
For your tomorrows we gave our today.

In which we meet my main character

A tiny wee bonus blog post this week as I’ve been tagged by Laura E James to carry on a little blog hop all about our main characters. Thank-you Laura, and let’s all say ‘Hello’ to Trix from Sweet Nothing. I mean, don’t actually say ‘Hello’ out loud whilst you’re reading. She’s a fictional character, which is just one of many many reasons that that would be weird.

Anyway…

What is the name of the main character? Is she real or fictitious?

She’s called Trix and she’s fictitious. I’ve already told you that. Really, it’s almost like these are  preset questions and there isn’t actually an interviewer sitting beside me hanging on my every word.

 

When and where is the story set?

Sweet Nothing is set in York around about now. I lived in York for four years and grew up not far away in Scarborough so it’s a city I know pretty well. The fictional Trix went to university there, like me, and, unlike me, never quite managed to leave.

 

What should we know about her?

Trix is great. She’s the sort of woman you’d want as your best mate. Caring. Intelligent. Funny. Borderline alcoholic.

She loves books, and cake, and wine, and her friends, and marmitey toast, which are all the main important things that one ought to love in life.

 

What is the main conflict? What messes up her life?

I’m sorry but if I tell you that I’m pretty much telling you the whole story of the book! OK – I’ll tell you this. Trix is pretty sorted in most areas of her life, but she’s not the best at romance. She’s not a sad chick lit singleton though. There’s not a lot of moaning about failed relationships into her pinot going on for Trix, not least because that would slow down the drinking of the pinot and suggest a worrying lack of focus.

She gets on fine with men. She has lots of male friends. There’s just one in particular that might be the problem. Hello Ben Messina.

 

What is Trix’s goal?

I think the achievement of a diet based solely on wine and marmitey toast. It’s a goal she’s not that far off achieving.

 

So if you like the sound of Trix, you can find out more about her by reading the book:

SN Cover small

And now it’s my turn to tag two more innocent victims willing participants in the ‘Meet my main character’ blog hop. Next up are the brilliant and lovely Janice Preston – her debut novel, Mary and the Marquis will be out in July –  and my equally wonderful fellow-ChocLiteer, Berni Stevens. As well as writing her own novels, Berni also designs all the Choc Lit covers so she’s responsible for the rather excellent redness above. Look out for their posts next week.

 

In which I go to a party and consider a political tsunami

Two weeks ago I confidently announced the Friday was blogday from now on. And then last week I failed to post anything, so I think we can all agree that that idea’s going well. I have an excuse though, which given my mother’s reluctance to write me a note excluding me from blogging duties*, I shall explain myself.

I was at a party.

Ok, so it’s not a great excuse. It’s pretty much on a par with taking a  day off school to go to the Radio 1 roadshow, a common practice at my school, but another one I could never get my own parents on side with. Anyway, last week was the RNA‘s Summer Party which includes the presentation of the Joan Hessayon Award for new writers. As an award contender, I squeezed myself into my spanx, did my hair, applied actual make-up and made my merry way to London town. There were seventeen of us up for the award, which mathematically equated to a 5.88% chance of winning, and the winner was… drum roll please… not me. Ah well, never mind. It’s fantastic just to be a contender etc. etc. Cue much use of my excellent ‘magnanimous loser face,’ and many many congratulations to the very lovely and clever Jo Thomas who actually did win. Hurrah for her!

2014 Joan Hessayon contenders
2014 Joan Hessayon Award contenders

Whilst I was glamming it up in London Town being all writerly and control-panted, there were European and local elections going on across the country. The results of those elections caused a political earthquake, or tsunami, or storm (depending on the natural force metaphor selected by your news provider of choice), which is a media way of trying to make the story that UKIP did quite well and the Lib Dems did quite badly sound significantly more exciting than it actually is.

If you look at the actual numbers – I know boring, but potentially actually informative – you end up feeling that rather than looking at a tsunami you’re looking at a moderately sized wave, and nobody ever uttered the phrase, ‘Look! A moderately sized wave – run for the hills!’

There are a few reasons for thinking that politicians from the main parties should dial down the panic levels in relation to the UKIP surge (and be warned – there are very few jokes in this bit, but there are a number of moderately interesting statistics). Firstly, turnout in the European elections is always low. This year, in the UK, it was around 34%. As a comparison the turnout in the 2010 general election was just over 65%, so there’s an awful lot of potential voters who simply didn’t participate in this election. Within the 34% who voted, UKIP secured around 27.5% of the vote – that’s less than a third of the vote from a third of the electorate, and it’s always wise to be a little bit cautious about electoral figures based on relatively low turnouts.

Secondly, it’s very difficult to assess how much of the UKIP vote is either likely to translate into UKIP votes at a general election, or is suggestive of strong anti-EU feeling. Mid-term European elections are traditionally a repository for protest votes and dissatisfaction with the government of the day. A YouGov poll looking at general election voting intentions yesterday put Labour’s lead over the Tories at 7% (38 to 31) with UKIP down on 16% – significantly different from the European election results just a week ago. And we can add to that the fact that pre-election polls suggested a disjoint between voters choosing UKIP in the European elections, and voters who actually want to leave the EU. A YouGov poll just before election day suggested that 42% of voters who planned to vote UKIP, would actually vote to stay in the EU in a referendum on the subject.

All in all, that suggests that what we’re dealing with here is a significant protest vote, and the main parties have to decide how they deal with that. The answer to that question all depends on what they think people are protesting against. Is the appeal of UKIP that they’re anti-EU and anti-immigration? Or is it that people feel Nigel Farage is an ‘ordinary bloke’ rather than a media-trained slick politician? Some of those polling figures, combined with the fact that scandalette after scandalette during the campaign failed to dent UKIP support suggests to me that it’s probably more the latter than the former.

So here’s a crazy idea for the other political parties – less spin, less focus-groups, less trying to guess what the electorate might want and pretending to care, less trying to make Ed Milliband look like a ‘regular guy’ when he’s clearly the natural born leader of the political uber-nerds, and more saying what you really think and letting the electorate decide. The European election results suggest to me an electorate grown weary of politicians, tired of the disingenuous streak that runs through political debate, and which isn’t often challenged effectively by the Westminster bubble political press. So stop wittering on about which party leader has the best idea of the cost of a pint of milk, and try actually thinking something’s a good idea and then doing it. It really doesn’t seem that complicated. *Sighs wearily in the direction of Westminster*

So there you go – a writerly awards party and a little bit of electoral statistics. A lovely start to the day.

Comment your little hearts out and come back tomorrow when there will be a bonus blog post following on from Laura E James in the Main Character Blog Hop.

 

* At least I assume she’d be reluctant. I haven’t actually asked. That would seem like I was taking the whole endeavour far too seriously.

In which a fat girl climbs a massive mountain, is up for an award (and rants a bit about UKIP probably)

It’s been a bit quiet on the blog of late, primarily on account of how I have been On My Holidays in the Lake District where great rains did fall from the skies, but the hotel had a jacuzzi so I didn’t really mind. Due to the blog quietness there are now a number of things that I could witter on about and I’m struggling to pick just one. Therefore, with no respect to theme or any notion of coherence, here are a number of things that have occurred:

 

1. I climbed a Massive Mountain

Between the holiday rains EngineerBoy, who, when not engaged in manly engineer type activities, likes a bit of outdoors, made me go outside into the countryside and walk about. Here’s me at the top of a Massive Mountain (which EngineerBoy, quite wrongly, termed a small hill).

Atop a massive mountain

The climbing of the massive mountain was something of an effort, on account of how I am Not Thin. However, I made it, and I realised that actually despite the Not Thinness, I’m not that unfit. All the Zumba-ing and Bokwa-ing might actually be having some effect, just not on my overall girth. Ah well, I suppose fit is better than thin, although both would be even better still.

 

2. I have a new kitchen

And it is a thing of great wonder and prettiness, at least until the first time I spill something in it and stain the worktop. After which it will be ruined for all eternity, but for now there is much wonder and prettiness and baking.

kitchen

 

3. Sweet Nothing is up for an award

See how I saved that one for third, so I could appear all nonchalant and not at all giddy about it. My debut novel, Sweet Nothing, is in contention for the Joan Hessayon Award. I’m not expecting to win. There are 17 contenders in total, so as the woman who wrote a romantic comedy about a mathematician, I have to acknowledge that 1 in 17 isn’t brilliant from a probability perspective, but I get a trip to London town where I will wear clothes that aren’t pyjamas and drink wine and get to do my best impression of a ‘nominated for an Oscar but didn’t win’ face.

 

4. There are European Elections coming up..

… in which I am led to believe UKIP are expected to do marvellously well. I find this disheartening for a whole range of reasons (some of which I banged on about previously here). The thing I mainly find disheartening though, is the quality of political journalism at the moment. It feels like nobody in the mainstream media is actually looking in detail at any of the party’s stated policies and pointing out the claims and assumptions that are simply untrue. There are some really good sites online that do this sort of thing (eg Channel 4’s FactCheck blog) but they don’t form part of the newspaper headlines or the nightly TV news, which is where most people get their information. It is all very weary-making.

 

5. And an audiobook

Back in writer land, the other excitement of the week is that the audiobook version of Sweet Nothing is now available to pre-order as a download from Amazon. I’m ridiculously excited about this. An audiobook sounds very much like something what a proper author might have.

 

So mountain, kitchen, award, elections, audiobook. Those are the things that are going on around here, along with a switch to Friday’s for my ‘regular’ blog day. At least I’m intending it to be regular, but you know what I’m like. Anyway how are things with you merry blog-reader?

In which I offer a little fable what I wrote

After managing to blog in both ranty and writerly forms last week I’m feeling a tiny bit light on inspiration today. So in the absence of anything to shout about here is a tiny little flash fiction fable what I wrote. It’s called ‘The Children of the Forest.’

 

The trees of the forest grow tall and strong, and the children of the forest play low in the hollow beneath the branches of the oldest trees. They are safe in the hollow, safe in the forest, where the world beyond cannot get in.

The elders of the forest are afraid of the world beyond. There is a story, whispered from mother to baby, from father to son. ‘Beyond the last tree,’ they say, ‘a dragon lives. And the dragon breathes only fire and loves only gold and eats only children who don’t listen to stories and who run and skip and play beyond the hollow, beyond the forest, beyond the very last tree.’

One day a small girl grew tired of the hollow, and yearned for adventure elsewhere. She was a clever little girl who had heard stories of the dragon and the fire and the world beyond, and knew that they were only stories. Stories couldn’t hurt her. Dragons weren’t real, so she ran and skipped and cartwheeled her way to the edge of the forest. At the very last tree she paused. She would be the first of her kind to leave the forest, and one day she would return with new stories to tell the children she had left behind. She took that last step into the unknown her head full of dreams and her heart overflowing with hope.

And the dragon ate her.

The End.

 

I do of course write whole big book-length things as well. You can find details of those here.